In addition to a number of permanent displays that are visible year-round, including New York City-based artist Leo Villareal's The Bay Lights, a massive piece featuring 25,000 white LED lights stretching across the western span of the San Francisco-Oakland Bay Bridge, and local artist Jim Campbell's Day for Night, a beacon comprised of 11,000 programmable lights and video screens atop Salesforce Tower in the Embarcadero neighborhood, several pieces by artists new to the event debuted this year. “Because of the pandemic, people want to feel safe, but also inspired.”Īs in previous years, the festival features installations created by a roster of world-renowned artists who create dramatic, eye-grabbing illuminated artworks, many of which are large enough to alter the city’s iconic skyline. “It’s a great opportunity to experience either on foot or driving around in a vehicle,” says Brenda Tucker, director of arts marketing for the San Francisco Travel Association, the entity responsible for organizing the festival. The festival was able to move forward this year because nearly all of the installations featured are visible outdoors, making it an activity that people can enjoy while also practicing safe social distancing. Running nightly through January 23, the annual event features more than 40 light installations scattered across 17 of the city’s neighborhoods, turning San Francisco into a dazzling wonderland. Last week marked the start of the eighth installment of Illuminate SF Festival of Light. Consider making a year-end donation today.While many cities around the world have dialed back their holiday celebrations due to the ongoing Covid-19 pandemic, San Francisco has found a way to (safely) flip the switch and move forward with one of its most popular festivities this winter. Your donation will help the Public Press build a more robust newsroom to cover under-reported stories in San Francisco and beyond. Additional funding through memberships, donations and grants would help us buy cameras, editing software, computers and other technological tools. Why should people support the Public Press?Īt our news meetings, we find that we always have a surplus of great story ideas, and though we’re able to tackle many of them, there are some stories that we have to push aside simply because we don’t have the funding to pay journalists to pursue them.Īlso, we would love to supplement more of our stories with multimedia. Our ad-free model gives us space to experiment with the design, layout and graphics of the print editions, which is quite fun. I graduated at a time when traditional print journalism was sort of disintegrating, and being able to work on our quarterly newspaper has been an exciting opportunity to learn about the print medium. I also love working on the print editions. What do you enjoy most about working here? That kind of reporting builds a solid foundation in journalism. There’s also a strong emphasis on original reporting - we publish stories that aren’t getting much attention in mainstream news outlets. Most Public Press stories are tied to larger policy issues and require a significant amount of research and reporting. The editors offer much support to all reporters, but especially to those who are just starting out in the field. It’s a great place for young reporters to grow intellectually. How is the Public Press helpful for young reporters? Most recently, I’ve been working as a partnerships editor - curating stories from our news partners like Mission Local, KQED News, California Watch, El Tecolote and other news and civic groups. I worked on the San Francisco Bay Area Journalist Census project as a researcher. I returned to the Public Press less than a year after my internship ended, and I’ve been writing for the website and print editions since then. How have you grown within the organization? I moved to the Bay Area to finish up my final projects and was looking for opportunities to gain reporting experience and internship credit. At the time, I was a student at Boston University, working on my master’s degree in journalism. I joined the organization in February 2009 as an editorial intern. How did you get in volved with the Public Press? Our first intern, Ambika Kandasamy, shares her perspective on working in a nonprofit newsroom Please support independent public media in San Francisco by becoming a member today. Our board of directors will match donations up to $3,000 til the end of the year. We’ve had a great response to our fundraising drive so far, but we still need your help to reach our $6,000 goal. Navigating Homelessness: Which Way Home?.Solving Homelessness: Ideas for Ending a Crisis. Driving Home: Surviving the Housing Crisis.Coercive Control: Abuse That Leaves No Marks.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |